Wiring, Frets & Hardware.

March 27th, 2010

While commenting on these fake Gibson guitars I often mention frets going over the binding being a giveaway, or the wiring being really bad or the hardware placement being incorrect, but be aware that that is not always a giveaway. The guitars I have pointed out have been advertised for sale as new and therefore it’s easy for me to say that one of the many reasons that such and such is a fake is the bad wiring, or the hardware is wrong etc. However, If the guitar is getting on a bit, maybe a re-fret is done and the new frets appear over the binding. In the world of guitar customisation/customization, people like to rip the guts out of their gear and install new pickups, a different bridge, hell, maybe slap a Floyd Rose tremolo system on there, so you can’t rely on these differences when deciding the authenticity of a used instrument.

The really easy way to know if your looking at a cheap, mass produced, fake Gibson is not always possible from a photo, because it’s all about the angle of the headstock.

angle

A real Gibson guitar should have a headstock angle of  17 degrees, there is however always an exception to the rule, in Gibson’s case there was a period where the angle was reduced to 14 degrees. Be aware though that a replica Gibson built by a professional luthier probably does have this angle, so the angle rule should not be used to authenticate, just to refute.

There was going to be a joke here based on a double entendre;  ”it’s all about the angle”, but quite frankly it was childish and not that funny, I’ll just leave it at that.

Explore This

January 22nd, 2010

Countless copies have been made of the Gibson Explorer by many different companies, some good, (Hammer, Ibanez) and some bad, (yes, this one).

explorermain

The shape is pretty much bang on, along with all the hardware placement and Gibson logo. The obvious giveaways are the incorrect truss rod cover and the tell tell Gibson decals on the pick ups, they just don’t come on a real Gibson.

explorerback
It does look pretty legit and from a distance it could pass off as some sort of Gibson Explorer Menace, perhaps. Certainly good for those Pete Townsend moments where you appear to smash up a “professional grade” instrument at the end of a show. Problem is, if you have to do this, it is best that the guitar is played before it is destroyed. Don’t play your very nice guitar all through a gig and then suddenly walk off at the end and then reappear with a “Les Paul” to smash up. It doesn’t look good. Just ask my mate Jim.