Wiring, Frets & Hardware.

March 27th, 2010

While commenting on these fake Gibson guitars I often mention frets going over the binding being a giveaway, or the wiring being really bad or the hardware placement being incorrect, but be aware that that is not always a giveaway. The guitars I have pointed out have been advertised for sale as new and therefore it’s easy for me to say that one of the many reasons that such and such is a fake is the bad wiring, or the hardware is wrong etc. However, If the guitar is getting on a bit, maybe a re-fret is done and the new frets appear over the binding. In the world of guitar customisation/customization, people like to rip the guts out of their gear and install new pickups, a different bridge, hell, maybe slap a Floyd Rose tremolo system on there, so you can’t rely on these differences when deciding the authenticity of a used instrument.

The really easy way to know if your looking at a cheap, mass produced, fake Gibson is not always possible from a photo, because it’s all about the angle of the headstock.

angle

A real Gibson guitar should have a headstock angle of  17 degrees, there is however always an exception to the rule, in Gibson’s case there was a period where the angle was reduced to 14 degrees. Be aware though that a replica Gibson built by a professional luthier probably does have this angle, so the angle rule should not be used to authenticate, just to refute.

There was going to be a joke here based on a double entendre;  ”it’s all about the angle”, but quite frankly it was childish and not that funny, I’ll just leave it at that.

Stu’s “J-50″

November 24th, 2009

After seeing this fake on Fibsons.com, Stu sent in details of his surprisingly similar “J-50″

Stusj50
“here’s some pics of my fake J-50. you can see the headstock shape is wrong, actually its a “Mitchell” i looked at a couple of dozen headstocks on ebay and other sites before i realized thats what it is…”

stusj50heads
“its got some budget grover tuners, and a crazy label that puts production during a year the J-50 wasnt offered. you can see the 3 piece neck, not something gibson has done, the a-baloney sound hole ring, and the truss rod at the soundhole end of the neck.”

stusj50stickernrod
Thank you Stu for sending in the pictures and for showing us the irregularities in the guitar, as well as the Mitchell information. Now we all know what these guitars really are.